Notes

The Journal

Occasional writing about fragrance, light and the parts of making that do not photograph well. Published when we have something worth saying.

Dim living room at dusk with a single lit candle on a low stone table

Atmosphere · November 2025

Lighting a room, not filling it

One candle, placed low and slightly off-centre, will do more for a room than three placed symmetrically. A short note on light, shadow and restraint after dark.

  • Amber fragrance vials and a pipette on a dark stone slab during blending

    Fragrance · October 2025

    The anatomy of a blend

    Top, heart, base — the vocabulary is borrowed from perfumery, but a candle behaves differently. How heat changes the order in which a fragrance reveals itself.

  • Candles curing on wooden shelves in a quiet studio in morning light

    Studio · September 2025

    Fourteen days of doing nothing

    The most important part of our process is the part where we leave the candles alone. Notes from the curing shelf, and why patience is a raw material.

  • Flat lay of soy wax flakes, cotton wicks, cedar bark and fragrance oils on linen

    Materials · August 2025

    On soy, coconut and honest wax

    Every wax is a compromise between throw, burn and appearance. Here is the one we chose, and what we gave up to choose it.

  • Limited seasonal candle pair with dried winter botanicals in a gift box

    Fragrance · July 2025

    Pairing scent with season

    Bergamot in February is a different fragrance than bergamot in July. A short guide to matching a composition to the light outside your window.

  • Maker pouring molten soy wax into a dark candle vessel at a wooden workbench

    Studio · June 2025

    A day in the studio

    Wax on at six, poured by eleven, wicks trimmed before the light goes. What a small-batch pour day actually looks like from the inside.

More on the making itself in Materials and Our Story.

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Shorter notes, more often

Between entries, the studio posts fragments — pour days, test pours, and rooms we liked the light in.